The technique of using lacquer for
handicrafts and decorative items in the household has a long tradition in
Vietnam since it was introduced from China centuries ago. The French introduced
Western paintings and techniques into the country, in particular after the
establishment of the Fine Arts University, École des Beaux Art d’Indochine, in
Hanoi in 1925. The traditional lacquer technique, which had earlier been used
for handicrafts and decorative household items, was now applied to paintings,
creating a new art form. The first lacquer paintings were quite traditional in
expressing scenes of natural beauty. Later, lacquer paintings promoted
socialist and communist values. However, since Vietnam became more outward
looking in the 1980s and 1990s, young artists have explored and reinvented the
old art form, placing it in a new, contemporary context to create highly
innovative and interesting paintings. Each artist has different ways of using
lacquer to produce paintings, and some details are known only to the artists
themselves. However, there are some features common to all lacquer paintings.
Trinh Tuan uses the traditional
process described below, but other artists may use modified techniques and even
their own innovations..
The artists buy the boards
ready-made from suppliers. They come in a variety of sizes. The core of the
board is made from plywood.
One layer of lacquer is applied to the plywood,
which is left to dry. Next, thin cotton cloths soaked in clay are attached to
both sides of the plywood. After the cotton/clay mixture dries, the board will
be smoothed and polished. This process is performed five times. Layers of
black lacquer are then applied, and the board is left to dry and is then
polished. Thus the final product appears as a piece of black board, very smooth
and durable. It consists of several layers, is very resistant, and will not
crack due to fluctuations in temperature or humidity. It may warp slightly due
to these changes, but it is quite easy to straighten it again, as it remains
The Lacquer and Colours
Lacquer is a clear sap
coming from any of six species of trees growing in Vietnam, the main one being Rhus (or Toxicodendron) succedanea in the north and Melanorrhoea (or Gluta) laccifera in the south, both belonging to the
family Anacardiaceae. Lacquer is harvested in the same way as rubber, by
making an incision and letting the sap flow. Fresh lacquer is whitish, and
turns brown upon exposure to air. It should be noted that lacquer is not a
harmless substance. It is a common skin irritant and a cause of contact
dermatitis, as well as being potentially carcinogenic.
Black lacquer stems from a chemical reaction between lacquer and iron, and
results from stirring the lacquer with an iron rod for a few days. Lacquer will
be mixed with various natural or artificial dyes to produce the colours the
artists want. Several shades of red are extracted from a naturally occurring
red mineral, cinnabar (mercuric sulfide). White is produced from eggshell.
Eggs from ducks are used because they have a better structure than hens’ eggs.
The eggshells are cleaned and sometimes even burned to obtain a brownish tinge.
Most bright colours come from artificial dyes.
Several other materials may
be used to make lacquer paintings, some of the most common being gold leaf and
silver leaf. Silver is used below the layers of colours to create an effect of
immense luster. Gold leaf, on the other hand, is often applied as the final
layer. An interesting use of gold leaf, as in Trinh Tuan’s painting Contemplation, makes it
appear as bright light flowing through the window. A range of other materials
may also be used, such as shells, sand, epoxy and clay.
Applying Colours and
Making a lacquer painting
is a long and arduous process. It may take several months, depending on the
specific technique of the artist and how many layers of lacquer are included.
Here is one example. First, the composition of the painting may be drawn with
chalk on the board. White colour is added through the use of eggshell. A
pattern is carefully carved out in the board. Minute pieces of clean eggshell
are glued to the cavities, and the surface is then made smooth. Clear lacquer
is applied and left to dry, and the pattern is then polished.
|Fig. 1 Carved pattern on board
||Fig. 2 With eggshell, clear lacquer and
A basic layer of coloured
lacquer is applied to the board and left to dry. Silver leaf is stuck to the
lacquer and a clear layer of lacquer is applied to cover the silver leaf. New
layers of coloured lacquer are painted with a brush, each with different colours.
In between, clear lacquer is also applied. The artist sometimes applies up to
ten layers or more of coloured and clear lacquer. The painting is left to dry
between each application and the layers are also smoothened. The most important
part of the process, however, takes place after the final layer has been
applied. The artist will polish and rub different parts of the painting until
he obtains the preferred colour(s) for various parts of the painting. Since
different colours are located in different layers, rubbing must be done with
great care by using fine sandpaper and a mix of charcoal powder and human hair.
The artist must remember in what layer he put which colour, and has to be
extremely careful not to rub too hard because the painting will be irretrievably
spoilt if he rubs through the layer he wants to keep. A specific colour nuance
can be made by carefully rubbing the interface between two colour layers.
|Fig. 3 Drawing the outline
with chalk and apply egg shell
||Fig. 4 Applying silver leaf
||Fig. 5 Applying more silver
leaf and paint layers of colours
|Fig. 6 Painting more layers of
colour and clear lacquer
||Fig. 7 Rubbing and polishing
A lacquer painting is very
durable. The board is hard and strong and is not easily damaged. The surface
of clear lacquer is protective, and the painting can easily be polished by the
palm of the hand to make it cleaner and more lustrous.
A Vietnamese lacquer painting is truly a piece of art that may last for